![]() To the world, he preached formlessness, a concept popularized via his famous “Be Water” response in an interview with Canadian journalist Pierre Berton. In a sense, Lee’s widespread impact-in realms as disparate as political protest and video games-is simply a reflection of his life’s vision. Nearly five decades later, the world is still reckoning with the momentum he generated in his brief life, and with the ways culture has reinvented him. Lee is the most influential martial artist in modern history, just one facet of the legend he became after his untimely death in 1973 at age 32. Even then-before the Hong Kong films that made him a global icon-there was barely a wall between Lee and the myth he was creating. He slept in a windowless room in the back there was no light switch near the door, which meant a lot of stumbling around in the dark to find your way. The space was his holistic workshop as well as his residence. His dreamlike musings became gym mantras: Using no way as way having no limitation as limitation. At the institute, the itinerant thoughts of a failing philosophy major found structure. The starting point was the Jun Fan Gung Fu Institute, Lee’s home base in Seattle, a 3,000-square-foot space close to the University of Washington campus, where he was a lackadaisical student. “I Lunghi Giorni Della Vendetta (Cantina)” by Armando Trovajoli – During the anime segment filling in O-Ren’s backstory, this song plays over the grisly murder of her father.I n the fall of 1963, Bruce Lee had ambitions of opening kung fu schools across America. To kill some time, she tells the audience the origin story of O-Ren Ishii. “The Grand Duel (M10)” by Luis Bacalov – This song kicks in when the Bride is lying on the backseat of the P***y Wagon, wiggling her toes as she attempts to regain the use of her legs. RELATED: 10 Classic Movies Referenced In Kill Bill “Main Title from Truck Turner” by Isaac Hayes – This song, another one taken from an earlier film’s soundtrack, plays when the Bride finds the P***y Wagon in the hospital parking lot. “Seven Notes in Black” by Vince Tempera – This track, taken from Lucio Fulci’s giallo classic Sette Note in Nero, plays when Buck returns to the Bride’s hospital room and finds her missing. Elle whistles the melody before the original recording takes over the soundtrack. ![]() “Twisted Nerve” by Bernard Herrmann – This song plays as Elle Driver walks through the hospital to kill the Bride. “Yagyu Conspiracy” by Toshiaki Tsushima.“Don’t Let Me Be Misunderstood” by Santa Esmeralda.“Champions of Death” by Shuzsuko Kibushi.“Crane/White Lightning” by The RZA/Charles Bernstein.“Death Rides a Horse” by Ennio Morricone. ![]()
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